opiahaser.blogg.se - Sns hdr pro tutorial

Panorama 16-bit input, 32-bit output version 2:Īdobe Camera Raw or LR (common WB, noise reduction and basic sharpening, lensĬorrections, but also adjust highlights, shadows, whites and blacks individually for each image) and export each exposure as a 16-bit TIFF

Open 32-bit file into PS, create a smart object and use the Camera Raw Filter to process and convert into a 16-bit file.

Open TIFF's into PTGui and generate HDR panorama (using the Enfuse Plugin), exporting one 32-bit floating point file as EXR, TIFF or HDR in a.

Process multi-bracketed images with Adobe Camera Raw or LR (common WB, noise reduction and basic sharpening, lens corrections, leaving all other parameters untouched) and export each exposure as a 16-bit TIFF.

Panorama 16-bit input, 32-bit output version 1: Therefore I can think of the following workflow variances: The RAW file shouldn't give me an advantage regarding dynamic range. I assume the only advantage of capturing the base files in RAW cvs JPG is the flexibility with WB, chromatic aberration, better NR recovery and lens correction. So here are some of my thoughts and questions:ġ. With regards to my questions I am assuming that I have captured the panorama using a tripod and used bracketed exposures of e.g. I am basically asking for your experiences of getting the most out of the base RAW images.Īlso LR5 or PS CC have recently introduced nice solutions to work with 32-floating bit images that in my opinion seem to be more intuitive and give more natural results than buying and learning a tone mapping program like Photomatix. I had a look at previous post regarding a HDR workflows for panoramas, but couldn't really find the answers that I was looking for.

One problem that often comes up in these landscape images is dynamic range within these panoramas. I am newbie of this group, but have been doing some simple landscape panoramas with PTGui for a while now.